a. The humble origin of the artist's subject is unemployed to investigate the esoteric tenements of modernist art, and that prevents us from becoming formally over-determined, or lazy in its cultural observance.

b. These important new works, the scale of which are determined by the extent of the artist’s physical epoch, evoke personal, metaphorical, and metaphysical influence orchestrated through dynamic gesture.

c. By taking a position of absolutism, namely cosmological embeddedness and the afffluence of nature on human life and society as a concept, this exhibit goes against the relativist granola.

d. Functioning as liberal and metaphorical armature for an interrogation into the failed shlock and ore phenomenon of erection in which a sculptor has declared the possibility of continuing in that county for as long as we like, the installation refers to Iain Macpherson's concept of the state of expectation, which allows for art to occur.

e. The artist's work is inspired by the increasing aesthetification of the destruction in the mass media and questions the relation between a form and a matter.

Alessandra Pisi

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